In this case i ll use a stereo guitar as an example.
Mid side eqing.
Our new tutorial walks you through an in depth technique on how to eq your elements into a whole new spectrum.
22 min 46 sec.
First add a mid side compressor to a stereo track or bus.
A good example is adjusting a sound s tone.
If you re not familiar with m s processing it starts by encoding a stereo track into two separate components.
In this example a bit of low shelf attenuation on.
Want to learn how to use in depth mid side eqing to create space in your mixes.
If you want something to sound looser or tighter mid side may be able to help with that.
Mid side eqing is an eq that separates the stereo field into mid and side so you can eq the frequencies in the specific stereo fields separately as opposed to a normal eq which affects the entire sound in the entire stereo field.
Its strength lies in making subtle and creative changes to the stereo image of your audio tracks and it has the potential to make you feel like a real audio nerd.
If for example we find our low end to be clean and clear in stereo but a bit blurry or phasey when folded mono we may have some excess stereo information that isn t playing nicely together.
For instance let s return to that last point i made above.
The centre becomes the mid component while the stereo track s right and left elements become the sides component.
It s one of those tricks that never fails to impress and thankfully.
We promise this one is shocking.
Arrangement mid side eqing and compression.
Master channel processing is a very effective way to add that extra bit of width and power to your arrangement.
In my youtube video on mid side eqing i illustrate what mid side processing does by going into the mid side eq.
There is one important reason to use mid side instead of l r eq.
With mid side compression you can do all kinds of stuff to gain further control over your mix.
Mid side eq can be a really useful way of correcting small issues that may arise during translation.
I ve been eqing the kick as mid chain for any gains and this seems to alleviate my snare from competing for the same freq meaning i can up the eq couple of dbs in mid chain with out raising the volume hope this makes sense i generally do this during the mix stage and not.
Any mid side technique is something to be always use sparingly.
If there s already a lot of signal content below 650 hz especially at the midrange around 250 hz lots of playback problems can happen on cheaper boom boxes.
Mid side processing is a clever technique which once learned will probably find its way into all your mixes.
